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Friday, April 15, 2011

Alma Har'el : Beirut - Elephant Gun




There is a Kusturica-esque dimension in Alma Har'el's work, there is also something that belongs only to her: a science of continuous progression. Her cinematic rhythm gives you the feeling of following an endless sequence that's rising. I'm wondering whether she's using in her chaining of images the same mechanism James Tenney used to chain the musical notes in his For Ann.




(Alma Har'el)

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