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Sunday, May 27, 2012

Liebestod from Wagner to Liszt



The picture above shows Franz Liszt in the home of his son-in-law, Richard Wagner. Cosima Wagner, Liszt’s daughter, sits at the left of the picture with her arm around her son, Siegfried Wagner. On the wall hangs a portrait of King Ludwig, the fanatical Royal Patron of Wagner. It is said that Wagner frequently took his compositions to his greatest friend, Liszt, in order to hear how they sounded, since the great operatic composer played very indifferently.







(It's Time for Wagner)

(Liszt)

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Liebestod again: Kirsten Flagstad and Wilhelm Furtwängler



Mathilde Wesendonck was the muse of Wagner while he created Tristan and Isolde. She was the wife of a silk merchant, a great admirer of Wagnerian music. The husband had invited the composer at his estate. Wagner (who was also married,  with his first wife) became infatuated with Mathilde. It is not known whether she returned his affections to the same degree, or if the affair - if there was one - was ever consummated. She was a poet, and Wagner would set five songs to her verses (the Wesendonck Lieder).
(wiki)





Mild und leise
wie er lächelt,
wie das Auge
hold er öffnet
--seht ihr's, Freunde?
Seht ihr's nicht?
Immer lichter
wie er leuchtet,
stern-umstrahlt
hoch sich hebt?
Seht ihr's nicht?

and ends

ertrinken,
versinken, -
unbewusst, -
höchste Lust!


Softly and gently
how he smiles,
how his eyes
fondly open
--do you see, friends?
do you not see?
how he shines
ever brighter.
Star-haloed
rising higher
Do you not see?

to drown,
to founder -
unconscious -
utmost joy!


(It's Time for Wagner)

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Prelude and Liebestod from Tristan and Isolde






You either love it or hate it, indifference is impossible.


(It's Time for Wagner)

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