The New Babylon, 1929

Новый Вавилон, 1929
movie poster
(source: wikimedia)
no copyright infringement intended

Written and directed by Grigori Kozintsev and Leonid Trauberg, The New Babylon (Новый Вавилон) is a Soviet silent movie from 1929, dedicated to the Paris Commune. A tragic story of love (somehow calling in mind Zola's Débâcle - here in the movie the two lovers are in opposite camps) - only it's treated very quickly, as there are many other events to be presented. An out-pour of things, that happened in the Paris of 1871 - things big scale and things small scale - all dramatically important to understand what happened. There is a Revolutionary pathos in the movie, only it is created very differently from what Eisenstein and the other masters of the epoch were doing. Here in The New Babylon the artistic technique is the one used by street performers or circus jugglers. You have to watch the movie to understand this. It's the Constructivist vanguard of the 20's, however of a special flavor: the eccentrism.

Shostakovich wrote a score for this movie, a musical composition with a long history of its own, lost after the premiere and retrieved only after the composer's death in 1975. Maybe this score can be of help in understanding the artistic universe of the movie. Shostakovich was by that time an ardent partisan of eccentrism, aiming to dissolve the borders between music-hall, circus, theatre, movie, opera, and here he used motifs from Revolutionary songs (Marseillaise, Ça Ira, Carmagnole) in unexpected forms (can-can, waltz, gallop), sometimes juxtaposed contrapuntally with very different themes, to get the necessary artistic effect.

The cast includes Vsevolod Pudovkin, Sergei Gerasimov, and Tamara Makarova, among many others.

Новый Вавилон, 1929
(video by Faces of Classical Music – 1)

(Kozintsev)

(Musica Nova)

Shostakovici - Waltz 2; Kalatozov - The First Echelon

(http://www.filmaffinity.com/en/film558785.html)

Dmitri Shostakovich scored this movie, The First Echelon (Первый эшелон), made in 1955 by Mikhail Kalatazov. Nikolai Pogodin was the screenwriter, and Sergei Urushevsky the cinematographer. All of them well-known personalities of the Soviet culture.

The movie is today kind of forgotten (Kalatozov made after it Letyat Zhuravli, which remained definitely in the history of cinematography). The score had a history of its own. The main melody in the movie would become Waltz No.2, part of the Shostakovich's Suite for Variety Orchestra (not to be confounded with his Jazz Suite No. 2, composed before the war).

And the Waltz No. 2 would be used much later, in 1999, in the soundtrack of Kubrick's Eves Wide Shut.

Here in this video the Waltz No. 2 by Shostakovich is still part of the soundtrack in The First Echelon, from 1955. The video puts together two separate scenes from the movie. I haven't seen the whole movie, but these two scenes are cinematographically fabulous!

(video by cheblack0000)

I dedicate this post to Ileana Ene Giusca and Adrian Rezus.


(Russian and Soviet Cinema)