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Thursday, February 18, 2010

Baudelaire, L'Albatros



Souvent, pour s'amuser, les hommes d'équipage
Prennent des albatros, vastes oiseaux des mers,
Qui suivent, indolents compagnons de voyage,
Le navire glissant sur les gouffres amers.

À peine les ont-ils déposés sur les planches,
Que ces rois de l'azur, maladroits et honteux,
Laissent piteusement leurs grandes ailes blanches
Comme des avirons traîner à côté d'eux.

Ce voyageur ailé, comme il est gauche et veule!
Lui, naguère si beau, qu'il est comique et laid!
L'un agace son bec avec un brûle-gueule,
L'autre mime, en boitant, l'infirme qui volait!

Le Poète est semblable au prince des nuées
Qui hante la tempête et se rit de l'archer;
Exilé sur le sol au milieu des huées,
Ses ailes de géant l'empêchent de marcher.



Here are some English versions of the poem, followed by renderings into Romanian. Enjoy!

The Albatross

Often, to amuse themselves, the men of a crew
Catch albatrosses, those vast sea birds
That indolently follow a ship
As it glides over the deep, briny sea.

Scarcely have they placed them on the deck
Than these kings of the sky, clumsy, ashamed,
Pathetically let their great white wings
Drag beside them like oars.

That winged voyager, how weak and gauche he is,
So beautiful before, now comic and ugly!
One man worries his beak with a stubby clay pipe;
Another limps, mimics the cripple who once flew!

The poet resembles this prince of cloud and sky
Who frequents the tempest and laughs at the bowman;
When exiled on the earth, the butt of hoots and jeers,
His giant wings prevent him from walking.

— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)


(Léo Ferré chante L'Albatros)
(video by bredouilleSKB)

Sometimes for sport the men of loafing crews
Snare the great albatrosses of the deep,
The indolent companions of their cruise
As through the bitter vastitudes they sweep.

Scarce have they fished aboard these airy kings
When helpless on such unaccustomed floors,
They piteously droop their huge white wings
And trail them at their sides like drifting oars.

How comical, how ugly, and how meek
Appears this soarer of celestial snows!
One, with his pipe, teases the golden beak,
One, limping, mocks the cripple as he goes.

The Poet, like this monarch of the clouds,
Despising archers, rides the storm elate.
But, stranded on the earth to jeering crowds,
The great wings of the giant baulk his gait.

— Roy Campbell, Poems of Baudelaire (New York: Pantheon Books, 1952)


(L'Albatros - Une Interpretation Visuelle)
with Thomas Vande Castele and Yann Vanhalewin
(video by Yannie penguin)

Sometimes, to entertain themselves, the men of the crew
Lure upon deck an unlucky albatross, one of those vast
Birds of the sea that follow unwearied the voyage through,
Flying in slow and elegant circles above the mast.

No sooner have they disentangled him from their nets
Than this aerial colossus, shorn of his pride,
Goes hobbling pitiably across the planks and lets
His great wings hang like heavy, useless oars at his side.

How droll is the poor floundering creature, how limp and weak —
He, but a moment past so lordly, flying in state!
They tease him: One of them tries to stick a pipe in his beak;
Another mimics with laughter his odd lurching gait.

The Poet is like that wild inheritor of the cloud,
A rider of storms, above the range of arrows and slings;
Exiled on earth, at bay amid the jeering crowd,
He cannot walk for his unmanageable wings.

— George Dillon, Flowers of Evil (NY: Harper and Brothers, 1936)


Often our sailors, for an hour of fun,
Catch albatrosses on the after breeze
Through which these trail the ship from sun to sun
As it skims down the deep and briny seas.

Scarce have these birds been set upon the poop,
Than, awkward now, they, the sky's emperors,
Piteous and shamed, let their great white wings droop
Beside them like a pair of idle oars.

These wingèd voyagers, how gauche their gait!
Once noble, now how ludicrous to view!
One sailor bums them with his pipe, his mate
Limps, mimicking these cripples who once flew.

Poets are like these lords of sky and cloud,
Who ride the storm and mock the bow's taut strings,
Exiled on earth amid a jeering crowd,
Prisoned and palsied by their giant wings.


— Jacques LeClercq, Flowers of Evil (Mt Vernon, NY: Peter Pauper Press, 1958)


(Poème interprété librement)
(video by Bakou Zaka)

Often, to amuse themselves, the men of the crew
Catch those great birds of the seas, the albatrosses,
lazy companions of the voyage, who follow
The ship that slips through bitter gulfs.

Hardly have they put them on the deck,
Than these kings of the skies, awkward and ashamed,
Piteously let their great white wings
Draggle like oars beside them.

This winged traveler, how weak he becomes and slack!
He who of late was so beautiful, how comical and ugly!
Someone teases his beak with a branding iron,
Another mimics, limping, the crippled flyer!

The Poet is like the prince of the clouds,
Haunting the tempest and laughing at the archer;
Exiled on earth amongst the shouting people,
His giant's wings hinder him from walking.

— Geoffrey Wagner, Selected Poems of Charles Baudelaire (NY: Grove Press, 1974)


And here are two Romanian versions: the renderings of Alexandru Philippide and Tudor Arghezi. Gorgeous verses! Look at mari pasari calatorind pe mare and pasari tacute ale marii! At corabia pornita pe valurile-amare and corabiile duse de razvratirea marii! And the poet, Printul dintre nori!

Albatrosul

Din joaca, marinarii pe bord, din cand in candc
Prind albatrosi, mari pasari calatorind pe mare
Care-nsotesc, tovarasi de drum cu zborul bland
Corabia pornita pe valurile-amare.

Pe punte jos ei care sus in azur sunt regi
Acuma par fiinte stangace si sfiioase
Si-aripile lor albe si mari le lasa, blegi
Ca niste vasle grele s-atarne caraghioase

Cat de greoi se misca drumetul cu aripe!
Frumos candva, acuma ce slut e si plapand
Unu-i loveste pliscul cu gatul unei pipe
Si altul fara mila il stramba schiopatand.

Poetul e asemeni cu printul vastei zari
Ce-si rade de sageata si prin furtuni alearga
Jos pe pamant si printre batjocuri si ocari
Aripele-i imense l-impiedica sa mearga.

- Alexandru Philippide, in Florile Raului - editie bilingva alcatuita de Geo Dumitrescu (Bucuresti: Editura pentru Literatura Universala, 1968)



Ca sa se joace uneori unii marinari
Prind albatrosii, pasari tacute ale marii,
Care-nsotesc de-aproape, ca niste steaguri mari,
Corabiile duse de razvratirea marii.

Abia lasati din brate pe scanduri, sub catarg,
Acestor soimi puternici ai marelui azur
Incep sa le atarne, ca un vestmant prea lard,
Aripile greoaie, din umeri, imprejur.

Infuntatorul boltii e-acum stangaci si sui.
Semet pin'adineauri, viteazul s-a prostit.
Glumind, un om ii vara in cioc luleaua lui
Ori il maimutareste cu mersul izmenit.

Asemeni e poetul cu Printul dintre nori.
Stapan peste furtuna, prapastie si vant,
E-mpiedicat sa mearga, hulit de muritori,
Cand aripile-i vaste l-arunca de pamant.

- Tudor Arghezi, in Florile Raului - editie bilingva alcatuita de Geo Dumitrescu (Bucuresti: Editura pentru Literatura Universala, 1968)

(Baudelaire)

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Monday, February 15, 2010

Alexandru Philippide, Ceasornicul

Alexandru Philippide gave us the Romanian version of the Baudelarian L'Horloge. Le dieu sinistre, effrayant, impassible, that calm evil god found in Romanian a splendid rendering, Zeu amarnic, nepasator, and Mon gosier de métal (My brazen windpipe) became Gatleju-mi de metal. And j'ai pompé ta vie avec ma trompe immonde (I have sucked out your life with my filthy trunk) is here in Romanian tongue, sugand cu trompa-i hada viata ta ca unda. But I should comment each verse! It's a superb rendering.

This post (along with any other offering a Romanian version of Baudelaire) is dedicated to a man whom I never met. He passed away some fifteen years ago, far too young. I never met him, but I know him now, through his home library. I found there a great book, Florile Raului, a bilingual edition of Baudelaire.

Ceasornic! Zeu amarnic, nepasator, c-un deget
Pe fiecare ameninti spunandu-i Nu uita!
Durerile in freamat curand s-or implanta
In inima-ti ca-n tina lovita fara preget

Placerea ca un abur in zare va pieri
Cum in culise-si pierde silfida leganarea
Oricare clipa soarbe un strop din desfatarea
Ce tututor ni-e data cat timp vom mai trai

De trei mii sase sute de ori pe ceas. Secunda
Sopteste: Tine minte! Cu glasul lui marunt
De greier, spune – Acuma: tot Altadata sunt
Sugand cu trompa-i hada viata ta ca unda!

Remember! Esto memor! Tu mana sparta! Vezi!
(Vorbeste-n orice limba gatleju-mi de metal)
Minutele sunt scumpe, nebune – mineral
Al carui dram de aur se cade sa nu-l pierzi!

Adu-ti aminte: Timpul ce tot mai lacom joaca
Nemasluind, castiga oricand, e scris asa
Dar ziua scade; noaptea e mare; nu uita!
Genunea e-nsetata; clepsidra tot mai seaca.

Curand suna-va ceasul cand si Norocul viu
Si vrednica Virtute, sotia ta fecioara
Si chiar Cainta (hanul de cea din urma oara!)
Ti-or spune: Mori batrane misel! e prea tarziu!



(Baudelaire)

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Tuesday, February 02, 2010

Baudelaire: L'Horloge

What a great illustration! The cat looking horrified at the impassive clock, calm evil god, who says every second, Remember! Now is gone! Nevermore! And the resemblance of universes of Baudelaire and Poe strike my mind again, and again... cat, and clock, and remember, and esto memor, and nevermore...

In a future post I will offer you the Romanian version of the poem, due to Alexandru Philippide.



Horloge! dieu sinistre, effrayant, impassible,
Dont le doigt nous menace et nous dit: Souviens-toi!
Les vibrantes Douleurs dans ton coeur plein d'effroi
Se planteront bientôt comme dans une cible;


Le Plaisir vaporeux fuira vers l'horizon
Ainsi qu'une sylphide au fond de la coulisse;
Chaque instant te dévore un morceau du délice
À chaque homme accordé pour toute sa saison.


Trois mille six cents fois par heure, la Seconde
Chuchote: Souviens-toi! — Rapide, avec sa voix
D'insecte, Maintenant dit: Je suis Autrefois,
Et j'ai pompé ta vie avec ma trompe immonde!


Remember! Souviens-toi! prodigue! Esto memor!
(Mon gosier de métal parle toutes les langues.)
Les minutes, mortel folâtre, sont des gangues
Qu'il ne faut pas lâcher sans en extraire l'or!


Souviens-toi que le Temps est un joueur avide
Qui gagne sans tricher, à tout coup! c'est la loi.
Le jour décroît; la nuit augmente; Souviens-toi!
Le gouffre a toujours soif; la clepsydre se vide.


Tantôt sonnera l'heure où le divin Hasard,
Où l'auguste Vertu, ton épouse encore vierge,
Où le Repentir même (oh! la dernière auberge!),
Où tout te dira Meurs, vieux lâche! il est trop tard!


While Michèle Battut restraints the illustration to the cat and focuses there the poignancy of the poem, Bernadette Kelly comes with her elaborated mystery and offers us a whole universe of suggestions. Her illustration is, I think, a masterpiece.



Here follow some English versions. It's great to compare them... the sylph, as an actress who disappears in the wings, again as a sylphide who floats away... the impasssive clock, terrifying, sinister god, or, in Edna St Vincent Millay translation, calm evil god! how splendid rendering, calm evil god!

- William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)

Impassive clock! Terrifying, sinister god,
Whose finger threatens us and says: Remember!
The quivering Sorrows will soon be shot
Into your fearful heart, as into a target;


Nebulous pleasure will flee toward the horizon
Like an actress who disappears into the wings;
Every instant devours a piece of the pleasure
Granted to every man for his entire season.


Three thousand six hundred times an hour, Second
Whispers: Remember! — Immediately
With his insect voice, Now says: I am the Past
And I have sucked out your life with my filthy trunk!


Remember! Souviens-toi, spendthrift! Esto memor!
(My metal throat can speak all languages.)
Minutes, blithesome mortal, are bits of ore
That you must not release without extracting the gold!


Remember, Time is a greedy player
Who wins without cheating, every round! It's the law.
The daylight wanes; the night deepens; remember!
The abyss thirsts always; the water-clock runs low.


Soon will sound the hour when divine Chance,
When august Virtue, your still virgin wife,
When even Repentance (the very last of inns!),
When all will say: Die, old coward! it is too late!


— Roy Campbell, Poems of Baudelaire (New York: Pantheon Books, 1952)

The Clock, calm evil god, that makes us shiver,
With threatening finger warns us each apart:
Remember! Soon the vibrant woes will quiver,
Like arrows in a target, in your heart.


To the horizon Pleasure will take flight
As flits a vaporous sylphide to the wings.
Each instant gnaws a crumb of the delight
That for his season every mortal brings.


Three thousand times and more, each hour, the second
Whispers Remember! Like an insect shrill
The present chirps, With Nevermore I'm reckoned,
I've pumped your lifeblood with my loathsome bill.


Remember! Souviens-toi I Esto Memor!
My brazen windpipe speaks in every tongue.
Each moment, foolish mortal, is like ore
From which the precious metal must be wrung.


Remember. Time the gamester (it's the law)
Wins always, without cheating. Daylight wanes.
Night deepens. The abyss with gulfy maw
Thirsts on unsated, while the hour-glass drains.


Sooner or later, now, the time must be
When Hazard, Virtue (your still-virgin mate),
Repentance, (your last refuge), or all three —
Will tell you, Die, old Coward. It's too late!



— Edna St. Vincent Millay, Flowers of Evil (NY: Harper and Brothers, 1936)

Terrible Clock! God without mercy; mighty Power!
Saying all day, Remember! Remember and beware:
There is no arrow of pain but in a tiny hour
Will make thy heart its target, and stick and vibrate there.


Toward the horizon all too soon and out of sight
Vaporous Pleasure, like a sylphide, floats away;
Each instant swallows up one crumb of that delight
Accorded to each man for all his mortal day.


The Second says, three thousand six hundred times an hour,
Remember! Look, the wingèd insect Now doth sit
Upon thy vein, and shrilleth, I am Nevermore,
And I have sucked thy blood; I am flying away with it!


Remember! Souviens-toi! Esto memor! — no tongue
My metal larynx does not speak — O frivolous man,
These minutes, rich in gold, slide past; thou art not young;
Remember! and wash well the gravel in the pan!


Remember! Time, the player that need not cheat to win,
Makes a strong adversary. Is thy game begun?
Thy game is lost! Day wanes; night waxes. Look within
The gulf, — it still is thirsty. The sands are all but run.


"Soon, soon, the hour will strike, when Hazard, he that showed
A god-like face, when Virtue — thy bride, but still intact —
When even Repentance (oh, last inn along the road!)
Will say to thee, Die, coward. It is too late to act.


(Baudelaire)

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