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Sunday, June 14, 2015

Corot



He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism (wiki).




(The Moderns)

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Sunday, September 13, 2009

Corot: Genzano


Jean-Baptiste-Camille Corot - The Goat-Herd of Genzano, 1843
oil on canvas

It is always with joy that I come again and again to this canvas, in one of the rooms of Phillips Collection. It is there, along with some other masters of the same epoch, a quiet and sweat message from the times just before Impressionism. I like enormously Corot.

(Phillips Collection)

(Corot)

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Wednesday, May 14, 2008

Oaks of Fontainebleau: Le Rageur, painted by Corot

It's a nostalgic painting.
Le Rageur had passed many adventures in his life, tumultuous storms and winds, heavy snow and blinding sun; by the time Corot painted this double oak, Le Rageur was in his old years, he would die soon.

(In the Forest of Fontainebleau - from Corot to Monet)

(Corot)

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Tuesday, April 10, 2007

Magritte in replica to Corot

Corot, Monsieur Pivot on Horseback, London National GalleryCorot painted his Monsieur Pivot on Horseback, sometime between 1850 and 1855. The painting is now at the London National Gallery. It is Corot's only equestrian portrait.
There is a subtle tension, between the rider and the forest. Who is the observer? Who is watching whom? Is it this Monsieur Pivot observing the surrounding forest? Or is it the forest that's watching the solitaire rider?
Magritte came with his Carte Blanche to push further the question raised by the painting of Corot. The tension here is between reality and illusion - the question that is put by all works of Magritte.


Magritte, Carte Blanche, Washington National Gallery of Art
The Carte Blanche was made in 1939. It is now at the Washington National Gallery of Art.
























(René Magritte)

(Corot)

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Wednesday, March 21, 2007

Corot at the Washington National Gallery






Agostina, 1866

Corot, Agostina, 1866


Beach near Etretat, c. 1872

Corot, Beach near Etretat, c. 1872



Forest of Fontainebleau, 1834

Corot, Forest of Fontainebleau, 1834

The Island and Bridge of San Bartolomeo, Rome, 1825/1828

Corot, The Island and Bridge of San Bartolomeo, Rome, 1825/1828









(Washington DC National Gallery of Art)

(Corot)

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Thursday, March 08, 2007

Corcoran






Corcoran Gallery greets his visitors with a fantastic sport model of Tatra, from 1933. They are just preparing a huge exhibition dedicated to modernism - the period between 1914 - 1939. The Tatra car is the first exhibit. It was complicated to bring the car inside, the doors had to be pulled out, anyway they made it eventually.



Edward Hopper, Maid in Slatback Chair

This exhibition will open on March 17th. Meanwhile there are two other exhibitions there. The first one contains some drawings and lithographs belonging to Olga Hirshhorn Collects: works by Alexander Calder, Willem de Kooning, Jean Dubuffet, among others.
One drawing of Edward Hopper that I hadn't seen before, and a work by Barnett Newman, The Monument, screenprint in Plexiglas: blue surface ending in two much darker blue vertical bars. Milton Avery also had a drawing there, and Roy Lichtenstein.









Here is a very typical Frank Stella (with a pretty quirk title, A through L Colored Maze)
Frank Stella, A through L Colored Maze

















William de Kooning, UntitledOne of the drawings of Willem de Kooning is here on the right. I liked much more the delicacy of the drawings of Alexander Calder.




















Alexander Calder, UntitledJust down is one of them, made in 1944, untitled. I was not able to find on the web another drawing of Calder on display at Corcoran, (Mr. and Mrs. JHH, funny and delicate).












A fine surprise for me was this nude by Mel Ramos, Currasow, a lithograph from his Leda and Swan portfolio. Leta was the name of the woman Ramos took as a model and he had the ingenious idea of putting Leta in dialogue with various birds throughout the portfolio. And so Leta became Leda :) I looked then on the web for other works by Mel Ramos and I found some great stuff.

Mel Ramos, Currasow


The second exhibition brings us to the classical world: European masterpieces from the gallery's collection. Dutch masters (Rembrandt, Gerrit Dou, Frans Mieris, Gerard ter Borch, Jan Steen, Pieter de Hooch, Meindert Hobbema, Ruysdael, Cuyp), French masters (Corot, Courbet, Fantin-Latour, Boudin - with a splendid painting of Le Havre, Delacroix, Degas, Eugène Carrière, Daumier, Pissarro, Jongkind, and two other artists whose works I met with for the first time, Jean Jacques Henner with a beautiful Standing Woman, and Adolphe Joseph Thomas Monticelli - the scenography and the colors of his painting, Testing the Fates (dated 1855) reminded me vividly of El Greco), and British masters (Constable, Turner, Raeburn, Reynolds, Gainsborough, along with the American William Merritt Chase).

Here are some of the exhibits:

Corot, Repose



Corot, Repose











Degas, The Dance Class, 1873

Degas, The Dance Class















Degas, Cabaret

Degas, Cabaret












Daumier, At the Print Stand








Daumier, At the Print Stand














Boudin, Le Havre



Boudin, Le Havre














Sir Henry Raeburn, Mrs. Vere of Stonebyres, c. 1805




Sir Henry Raeburn, Mrs. Vere of Stonebyres

















Turner, Boats Carrying Out Anchors to the Dutch Men of War, 1804


Turner, Boats Carrying Out Anchors to the Dutch Men of War















Pissarro, The Louvre Morning Rainy Weather

Pissarro, The Louvre Morning, Rainy Weather


















(Washington, District of Columbia)

(Hopper)

(Corot)

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