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Tuesday, September 17, 2013

Jean Béraud: Paris Kiosk

Jean Béraud: Paris Kiosk
date: 1880-1884
Walters Art Museum, Baltimore
(http://en.wikipedia.org/wiki/File:Paris_Kiosk_Beraud.jpg)
no copyright infringement intended


(Jean Béraud)

(Baltimore)

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Wednesday, December 12, 2012

Weeks at Walters: Interior of a Mosque at Cordova

Interior of a Mosque at Cordova
oil on canvas, ca. 1880
Walters Art Museum, Baltimore
(http://en.wikipedia.org/wiki/File:Edwin_Lord_Weeks_-_Interior_of_a_Mosque_at_Cordova_-_Walters_37169.jpg)
no copyright infringement intended


This work, set in the 8th-century great mosque of Cordova in Spain, may have been begun in 1880 while Edwin Lord Weeks was staying in that city (wiki). The painting is now at Walters in Baltimore.


(Edwin Lord Weeks)

(Baltimore)

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Thursday, September 01, 2011

Ganesha Chathurthi

Statue of God Ganesh
(Walters Art Museum, Baltimore)


My first encounter with God Ganesh took place in the town of Alexandria, in Northern Virginia. There was a statue in front of a small art shop. I was curious about the personage with an elephant head and asked two friends from Bangalore. They told me the story: a charming tale about Shiva, Parvathi, and Ganesh that made me sad I wasn't a Hindu believer. I put the story on my blog and I come back to it anytime I need to refresh my spirits and to travel in a universe of wonderful deeds.

After a couple of years I met with God Ganesh for the second time. It was now in Baltimore, at the Walters: two superb statues, one was of white stone and the second of black wood. I was visiting the museum together with Ruth and Jerry, two great friends living in that city, and I told them the tale of Ganesh.

Today is the Festival of Ganesha Chathurthi (Hindi: गणेश चतुर्थी, Marathi: गणेश चतुर्थी, Tamil: விநாயகர் சதுர்த்தி Kannada: ಗಣೇಶ ಚತುರ್ಥೀ,Telgu: వినాయక చవితి). It is celebrated across India and it is believed that God Ganesh is today on Earth, to be among his devotees and to enjoy the festival with all of us.

Here are two videos that show the celebrations, in Mumbai and in Bangalore:








(Sufi)

(Baltimore)

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Monday, November 01, 2010

Lisa Lewenz

I had the chance to meet Lisa Lewenz only once. It was in June 2000 in New York, at a screening with the Family Secret of Pola Rapaport. The event was at the Romanian Cultural Center, on the 38th Street corner with First Avenue.

The audience was composed by two distinct groups: Romanians living in New York, who were the usual attendants at the events there, and filmmakers who knew Pola Rapaport or her husband, cinematographer Wolfgang Held. I knew already some of these artists: a group of young independent filmmakers, loosely grouped around the famous documentarist Albert Maysles, who was more or less their mentor.

There were also family and friends: Marjorie and Jill of course, then Jack and Ellen, Lilly, Steve and Yoko, Merril, Eve.

I met there a friend I hadn't seen for fifteen years or more. We used to work in the same place in Bucharest in the seventies and in the first half of the eighties. He had left Romania for a good number of years, setting firstly to Canada, and then moving to the States. He was renting a small apartment in Queens and was working at an insurance company close to the Grand Central. I visited him often after that. We loved to go to a small bar there and have a chat over a coffee or a glass of bourbon, or both.

The screening went well, followed by a short session of questions and answers. All questions were coming in English and each time I was wondering whether the person was an American or a Romanian.

After that a reception was offered. It was then when I was presented to Lisa Lewenz. She was a very nice person, very direct, with a cool manner, and an irresistible sense of humor. She told me about the movie she was working on. I told her that I was leaving New York the following day and she promised to send me a copy of the movie, once finished. She kept her promise.

That was the only time I saw her. I will talk later about this movie, it is very interesting. She did not make other movies, as she switched to other artistic interests.

She moved at a certain point to Baltimore, where she was working at Walters, as a Manager of Adult Programs at the Education Center, then she came back to New York.

I want now to transfer the video cassette on a DVD, to watch her movie again, then I'll talk about it here on the blog. I think it is a shame she did not go on with making movies.



(Filmofilia)

(German and Nordic Cinema)

(Baltimore)

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Friday, August 08, 2008

Miniature Images from Walters

Dutch Cabinet


Fabergé Easter Egg


Bicephalous Eagle


(Baltimore)

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Maps at Walters

Dreaming at Paris (Charming Dream)



Dreaming at London (Dreaming Big)



Belgium (Ecce Quibus Hispaniar, Rex Philipp)



When Fabulous Beasts Were Living Down There



(Baltimore)

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God Ganesh: Study in Black and White





The Walters in Baltimore keeps many treasures.






(Baltimore)

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Thursday, August 07, 2008

Walters Art Museum: The Atrium



Baltimore: the atrium of the Walters Art Museum reminds me the world of Lampedusa. That is how I was imagining the Sicilian palace of Don Fabrizio Corbera Prince of Salina: huge empty atriums, some statues and busts at margins, a subtle suggestion of decomposition.

It is in such a place that I understand the hero of Lampedusa: he was observing his decline and was enjoying it.

Some faux-vitrailles seeming to communicate cosmic insights.

Opposite the entrance, some stairs lead to a bas relief: Eve giving the apple to Adam; the devil has a woman-head; you'd say the snake is the elder sister of Eve.

Suddenly a couple of girls enter the atrium and start to play. Anything is possible from now on. This is Baltimore.




(Baltimore)

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